A prolific duo with an amazing live setup, SBTRKT and Sampha continue to amaze me. Last year’s self-titled album has to be one of 2011’s best.
Supported by the excellent Disclosure, the headline set opened with the stage obscured by a huge print of an African mask – like the ones SBTRKT and Sampha wear onstage to. It was part rave, part jam and being on the top balcony gave us a great overview of thousands of people going nuts in an old theatre.
The live drumming sounded amazing and it was incredible to watch them creating beats and loops whilst juggling playing drums, keyboards and singing. The highlight of the night was when the awesome Roses Gabor came onstage to perform this:
Where can you get live improvisation from Soweto Kinch, a Chinese art installation, a tropical garden and The Artist all under one roof? In the Barbican of course.
I’ve been going to The Barbican Centre since before I could walk – literally. On rainy days my parents used to take us to the sprawling concrete complex to let off steam. I’ve seen everything there from Tony Allen to Matthew Herbert and a full choir making percussion with copies of the Daily Mail to interpretive dance. I even performed with school in the foyer once (electric guitar and cello since you ask).
What better place to seek some culture and hide from the pouring rain and howling wind then?Soweto Kinchwas first in the foyer – an amazing saxophonist as well as MC and producer. He asked the audience to write words they associate with London onto cards and drop them Continue reading →